FOR 2-9

BRUCE MUSEUM “WEAVING A COLLECTION” w/4 cuts

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GREENWICH, CONN. — The Bruce Museum will highlights its Native American basket collection in a new exhibition that opens Saturday, February 10, and runs through Sunday, June 10. “Weaving a Collection: Native American Baskets from the Bruce Museum” explores five geographic regions of basketry: the Northeast, Great Plains, Southwest, California and the Northwest.

On view are approximately 45 examples from all the major basketmakers of North America that illustrate the distinctive elements of technique and materials from these regions. The show focuses on the differences in forms and materials among tribal affiliations and geographical regions and examines the evolution of basketry following the arrival of the collector.

Basketry has been a part of the rich tapestry of Native American cultures for centuries. Native American basket weavers have transformed twigs, grasses, roots, ferns and bark into works of art that are unsurpassed for their beauty and technological skill. Basket weaving is one of the oldest known Native American arts. Archaeologists have identified some ancient American Indian baskets from the Southwest as being nearly 8,000 years old.

As with most Native American art, a multitude of distinct tradition became established in North American basketry. Different tribes used different materials, weaving techniques, basket shapes and characteristic patterns. For example, Northeast Indian baskets are traditionally made out of pounded ash splints or braided sweet grass.

As native people were displaced from their traditional lands and lifestyles, their traditional tribal basket weaving styles started to change as they adapted to new materials and absorbed the customs of new neighbors. In places like Oklahoma, where many tribes were interned together, fusion styles of basket weaving arose. Unlike some traditional native crafts, however, the original diversity of Native American basket styles is still very much evident today.

Early evidence has shown that prior to contact with European cultures, the basketmaking tribes of North America had created a repertoire of basket shapes and design elements specific, if not unique, to each tribal grouping. Tribal customs and artistic traditions dictated that basketry styles remain relatively constant over time, with little emphasis on experimentation or innovation.

The volatile impact that Euro Americans had on native cultures was eventually reflected in the material culture of the tribal groups, basketry being no exception. These newcomers to North America had little interest in Native American basketry until the late Nineteenth Century, when the belief arose that the native cultures might soon disappear. Motivated by this sentiment, some individuals began collecting Native American cultural material with enthusiasm and appreciation previously unknown.

As collectors became more discerning about the quality of a basket’s weave and exhibited a preference for particular types of designs and shapes, weavers responded to this new market. Graceful and distinctive shapes such as bottleneck baskets and more literal design elements such as human figures or animal forms (which replaced the often more sophisticated, abstract designs) were in great demand in the early collector market.

The Bruce Museum is at 1 Museum Drive. For information, www.brucemuseum.org or 203-869-0376.