Date: Fri 26-Feb-1999
Date: Fri 26-Feb-1999
Publication: Ant
Author: JUDIR
Quick Words:
Miami
Full Text:
Miami Modernism Show A Boffo Production
with 23 cuts
By Anne Gilbert
It was an outrageous and wonderful bit of showbiz that Jacques Caussin
presented to collectors at his sixth annual Miami Modernism Show, January
22-24. And it paid off big time for the 65 dealers who participated. "Most of
the high-end designer pieces had sold by Sunday," Caussin said. "I had to
apologize to people on Sunday because the show was cleaned out."
On Friday, preview night, the curtain went up at 6 pm as guests were welcomed
with music from the eras. Ten minutes into the show, the buzz was on that
dealer Peter Linden of Decodence, San Francisco, had turned down offers of
$17,000 and $22,000 on a circa 1920 Jan Eisenloeffel clock. He shortly got his
asking price of $25,000.
Richard Wright, of Oak Park, Ill., had a color knockout display that included
a purple George Nelson sofa with original fabric, $20,000, and a Verner Panton
cone chair with a bold blue cushion, $4,000.
"The market is maturing," Wright said. "It takes a certain amount of affluence
since the very best pieces are harder and harder to find." He pointed out that
recently a double marshmallow sofa sold at auction for a record $66,000. "Most
of these buyers are in the 30 through 50s age group." He advised that for
beginning collectors there is "lots of 60s, 70s material." Other prices in his
booth were an Eames screen, $4,500; George Nelson bubble lamp, $1,200;
Robsjohn-Gibbings glass top coffee table, $4,600; and an Eames child's chair,
$6,500.
Colorful Higgins glassware was catching attention in the Jeffrey Ligan
(Belvair, Miami Beach) booth. Rarities such as the only known chandelier done
by Higgins and an original edition of a 30-piece Rondelay set, circa 1955,
were priced $3,200 for the late 50s chandelier, $3,800 for the Rondelay set.
Another rarity was a 24-inch prototype circular tray for the daisy pattern,
the largest mold form they could apparently make. It was priced at $4,800.
Late 60s mobiles were priced from $1,400 to $1,850.
The booth of American Salvage, of Miami, was definitely "space out" with TVs
in the shape of astronaut space helmets priced from $275 to $525 and robot
toys tagged from $250 up. "Moon rocks," rock, textured plastic lamps were
priced from $325 to $625.
Dan Ripley, Indianapolis, Ind., has switched from Italian art glass to
Bakelite, having sold his collection at last year's Treadway auction.
Noteworthy was a Venini vase designed by Bianconi priced at $11,500. As Ripley
explained, "good pieces are hard to come by."
Boomerang Modern, West Palm Beach, Fla., offered a Heywood Wakefield bedroom
set priced at $52,000. Art Moderned Antiques, Tampa, Fla., had an interesting
Vladimir Kagan-style coffee table with blue tile top, circa 1950s priced at
$295.
Eye-catching was the booth of Twentieth Century Scandinavian Furniture and
Decorative Arts, Stockholm, Sweden. Eight bullhorn chairs designed by Arne
Jacobsen were flanked by a red gyro chair designed by Eero Aarnio, circa 1968.
Hanging over them were red, yellow, blue and white lighting fixtures designed
by Vernor Panton, circa 1960s. The bullhorn chairs were $500 each; the gyro
chair was $1,800, and lights, $200 each.
The Collage booth, Dallas, Tex., exemplified the often stark simplicity of 50s
decor. A large Eames poster advertising their designs was priced at $40. A red
upholstered aluminum chair was priced at $675. A Pol Henningsen hanging lamp,
circa 1950s, was priced at $675.
It was back to the Deco era at Deco de Luxe, New York City, with a silver leaf
cabinet priced at $2,600. An Italian Murano glass framed mirror, tagged at
$2,200, was displayed on its top. Also noteworthy was a blown glass chandelier
by Barovier for $8,400. A pair of white leather and goatskin French armchairs,
circa 1920s, were $7,200 a pair. Oscar Rey, the dealer, pointed out a beauty
of a suitcase: an Amelia Earhart with rich veneering, priced at $650.
Pioneer dealer Michael Glatfelter, of Mode Moderne in Philadelphia, Penn.,
offered a lounger by Bruno Mathsson priced at $2,200. "This is always my
favorite show," he said. "I think after the millennium this time period will
just keep getting stronger." Also draped on the wall was one of six rolls of
circa 1950s Schumacher wallpaper priced in total for $195. Glatfelter said he
watches for wallpaper store closings for his discoveries.
A developing art category, found in the Streamline Illustration booth of Penn
Valley, Calif., were auto concept illustrations from the early 60s. Prices
ranged from $1,200 up.
Trendy novelty cocktail shakers in the booth of Barnard, from New Hope, Conn.,
were priced at $600 for penguin shaped to an aluminum Deco style with wood top
at $1,200.
The display of Mr Modern, Chicago, Ill., was lit up with a variety of store
lighting fixtures. Dealer Dan Colclough "took all 90 down in one day, in a
department store in Acton, Indiana." The pieces were priced from $225 to $850.
On their way out, collectors were picking up this year's striking Miami
Modernism Show poster for $45. Yet another collectible for the future.