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Theatre Review-'Rough Crossing' At Hartford Stage Is A Rocky Experience

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Theatre Review—

‘Rough Crossing’ At Hartford Stage Is A Rocky Experience

By June April

HARTFORD — To have chosen Tom Stoppard’s Rough Crossing to close what has otherwise been an outstanding theatre season seems an error in judgement by Hartford Stage. Compared to the caliber of Enchanted April, Camino Real, Christmas Carol and Dutchman, this play falls short in almost every category, save the lighting and sound designs.

Not that the acting was bad. In fact, Steve Juergens, who plays the kooky and charismatic ship steward Dvornichek was quite delightful. But as the Bard said, “The play’s the thing,” and this play is not a thing to hurry to.

There are a few laughs scattered here and there, but overall the story, even as a farce, is just not entertaining. It occasionally borders on offensive. Perhaps the word offensive should be modified to the phrase “almost insulting to one’s intelligence.”

Adapted from Ferenc Molnar’s 1924 play Play at the Castle (a translation from the Hungarian title), Rough Crossing feels dated and rather contrived. It is difficult to believe that director Tracy Brigden, who did such outstanding work last season with The Clearing, agreed to work on this production. This disappointing experience is no reflection on her abilities, just the material.

Composer/pianist/conductor Andre Previn is credited (?) with the music, such as it is, for this production and Mr Stoppard (gulp) created the perfectly forgettable lyrics. The talent that is involved here should have birthed a more sophisticated offspring.

On the plus side, Chris Parry’s lighting design did give the audience a fine sense of the water, and John Gromada beautifully balanced the sounds of ship and voice. The set was appropriate to the play, and scenic designer Tony Straiges should receive recognition for a job well done.

It is interesting to note that all the hoopla Tom Stoppard received for the movie Shakespeare in Love was in fact very largely due the work of Marc Norman, who was, rather minimally, recognized as the collaborator. In fact, it was quite the reverse situation.

It seems appropriate to consider another timeless Shakespearean thought: What’s in a name?

(Rough Crossing plays through June 24 at Hartford Stage. For additional information or tickets, call 860/527-5151.)

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