Theater Review—

Excellent ‘Syncopation’ Leaves Audiences Smiling

By June S. April

STAMFORD — Syncopation, the current production at Stamford TheatreWorks, is a prime example of “chemistry in action.” There is a reactive and electric energy that can result when everything works, and works extraordinarily well. When everyone involved in a show is pleased with what has been accomplished, and audiences are clearly relishing the experience, it spells Success, with a capital S.

Playing only through Mother’s Day, going to see Syncopation would be a gift that would not only be enjoyed, but would be long remembered... happily.

To follow the work of the playwright Allen Knee is probably a sage action since this charming and talented man has a particular passion for writing and a talent that equals his passion. His almost childlike enthusiasm, determination and open joy translates to the stage and zings back to the audience. He is as comfortable and capable in writing for the stage as well as screen. (His next big screen effort is the forthcoming Neverland, staring Johnny Depp, Kate Winslet and Dustin Hoffman.)

Mr Knee’s love of ballroom dancing and a particular fascination with America of the early 1900s are the forces that stimulated his writing of Syncopation. He began about five years ago; two years later the play was staged at various theatres including Long Wharf in Connecticut and a theatre in Florida. But it has climaxed at Stamford TheatreWorks. The title is appropriate on several levels since Syncopation is a slightly offbeat play, with slightly offbeat characters. It mirrors the musical definition of the word.

The almost magic combination of cast, crew and director loving the play, respecting the injection of some other creative ideas, and totally dedicated to breathing life into it is what has resulted in a thoroughly entertaining, lighthearted and meaningful production.

The story is poetic and poignant, funny and romantic. Two young working-class people meet to fulfill a fantasy. The vision of the fabulous dance team of Irene and Vernon Castle, who performed before royalty, is the dream they seek. What ensues is their own growth and the development of their relationship.

The intangible element we term “chemistry” is strong at play here. Between the actors Krista Braun and Sam Guncler there is a palpable tension that adds to the swift flow of Mr Knee’s creation.

Choreographer Ginger Thatcher’s skills were a major factor in the success of this production. Ms Braun, who has training as a dancer, makes her work look so effortless.

It was surprising to hear that Sam Guncler took the part of Henry Ribolow because he was “terrorized” by it.

“I told everyone at STW when they approached me and my agent that I was not a dancer,” the lanky actor explained, “but they would not listen.” To watch him trip through his role – in the best of dance tradition – one can only be pleased that his protests were ignored.

STW Artistic Director Steve Karp sets the tone of how productions are handled. There is a positive, nurturing and embracing ambiance there that welcomes sharing and creativity. So when the talented, but seasoned director Doug Moser is invited to direct, there is no hesitation.

Once again the wisdom and insights of this sensitive and innovative man yield a superior production. This has been affirmed at every play he has directed at STW. In cooperation with the outstanding skills of Sound Designer Christopher Granger, Doug Moser has woven music into the play. Mr Moser has used the music and recorded performances of the brilliant Austrian violinist and composer Fritz Kreisler’s throughout the play as a vehicle for the passage of time.

   The set, designed by Richard Ellis, almost smells musty and the lighting by Aaron Meadow is most effective and exquisitely timed. Claire Johnston’s costuming is perfect and even added some elements of laughter. Technical Director Patrick McCluskey is to be commended on what everyone in the play agreed was one of the most challenging technical plays ever done at STW.

(For tickets and further information contact Stamford TheatreWorks at 203-359-4414 or www.StamfordTheatreWorks.org Tickets range from $15 to $28 with discounts for senior citizens, students and groups.)