Date: Fri 09-Apr-1999
Date: Fri 09-Apr-1999
Publication: Ant
Author: LIZAM
Quick Words:
Olmstead
Full Text:
Olmstead Sells Untouched Estate
with 27 cuts
By Bob Jackman
PORTSMOUTH, N.H. -- On March 2, the antiques world focused upon the Frank
Jones Center, where Auctioneer Daniel Olmstead of Greenland, N.H., sold the
contents of Eleanor Batchelder's estate, which totaled $583,000.
Batchelder descended from Portsmouth and Newburyport families who had resided
locally for 250 years. The family resisted overtures from dealers such as
Joseph Grossman -- father of Hymie Grossman -- over the past 70 years, and
consequently the estate was a trove of fresh merchandise.
The lead lot was a local blockfront desk that sold for $170,500, won by
Hampton Falls, N.H. dealer Richard Kenney, with Washington, D.C. dealer Guy
Bush as the underbidder.
"In my opinion, [the desk] is from the Merrimac Valley-Newburyport region,
with a Boston influence," commented Kenney. "It's one of the better examples
of furniture from the Merrimac Valley. In this day and age, it is
unprecedented for a piece of this quality to become available from direct
descendants of the original family. The brasses were replaced, but otherwise
it is in very good condition, with an untouched surface. The interior has
seven shells, which is very unusual for a Boston-influenced blockfront."
His Newburyport attribution was echoed by Exeter, N.H. dealer Peter Sawyer,
who added, "It has the big Boston dovetail on the bottom, but there is an
additional board above the dovetail on the inside. That was an innovation
added after the style moved north. Originally it had wide bail brasses rather
than the earlier plate brasses used in Boston on blockfronts. It might be the
work of Abner Tappan of Newburyport."
Another extraordinary piece of furniture offered was a Portsmouth dressing
table in the Sheraton style that sold for $55,000. The profile of the top was
fundamentally rectangular with an elliptical front and serpentine sides. The
superbly preserved wood retained crisp details, and the cabinetmaker's skill
was evidenced by extremely sharp turnings and reeding on the legs.
Beneath a heavily crazed, mahogany tinted Victorian varnish, the original
surface was evident. When illuminated with spotlights, a band of inlay became
visible along the edge of the top, and figured panels became visible along the
facade. The facades were finely constructed with triple horizontal
laminations. An extra bottom board provided additional reinforcement.
An interesting, one-drawer stand had curly maple on all four sides. The curly
maple was fashioned from solid stock rather than the more common veneer. It
was supported by square tapered legs with a noticeable splay. Peter Sawyer won
the piece for $22,660.
Many chairs in the estate had been ended by two or three inches. These
included a lolling chair to which castors had been added. Chairs with these
distinctive arms had previously been attributed to the Newburyport workshop of
Joseph Short, but more recently have been give Portsmouth origins.
The arm support of this Federal-era chair had large terminals with
Chippendale-type form and surface carving, and retained its original linen
beneath a circa 1850 second upholstery. Bidding reached $15,950.
Dealer Ken Tuttle of Gardiner, Me., paid $46,200 for a set of six shield back
Federal chairs. At the base of each shield was a rising sun inlay from which
three slats sprouted. Each slat had a bulbous elliptical portion with inlay.
The chairs were in original surface and generally in very good condition.
There were a few breaks in the shields, but these were at junctions between
the back posts and low segment of the shields.
Four Chippendale mirrors with their original bezels and gilding were another
discovery in this estate. When the Olmstead crew went into the home, they
found these mirrors hung Victorian style -- with long cords hooked on nails
driven at the top of the walls.
Folk art attracted nationally prominent dealers such as Betty Berdan, Stephen
Score, and Pat Fulton. Deep areas included hooked rugs, quilts, baskets,
seashell encrusted frames, and other Victorian smalls.
Documents found in the home were a treasure trove for New Hampshire
historians. William Upton of Concord, an historian and decorative art
consultant, summarized, "I bought one box lot with early deeds, some as early
as 1714. I also got the military commission of Abraham Brown, which was signed
in 1743 by then New Hampshire Governor Benning Wentworth."
The Historical Society of Old Newbury underbid a strongbox from the Eastern
Stage Company that sold for $770. Later, society curator Jay S. Williamson
lamented, "We wanted it for the Cushing Museum. Given the family provenance,
we are pretty sure it was used at the Newburyport stop on the corner of State
Street and Thread Needle Alley. The Eastern Stage Company was founded in
Dover, N.H. Their route ran from Portsmouth to Boston between 1818-1838."
Amidst the expertise and competitiveness were highly specialized dealers who
swept their fields. One of those was Cambridge, Mass. button specialist Jane
Quimby, who stated, "I got all three boxes of buttons. There were some
wonderful [examples] in there."
Many members of the audience were happy to see Dan Olmstead handle such a
profitable estate. After college, Olmstead became a reading teacher in
Frankfort, Me., residing in Winterport. He recalled, "For a couple years, we
watched Chris McLean -- Betty Berdan's brother -- selling antiques and it
seemed attractive. We decided to take the plunge. We moved to New Hampshire in
1978 and went into the business full time."
"In addition to being dealers, we've been running several auctions a year
since the early 1980s," he continued. "We auction almost exclusively fresh
merchandise from houses. We usually have one Americana auction a year. This
year we have a Victorian sale. Last year we had a combined toy and ephemera
auction. I particularly like the discovery process of finding unanticipated
things. I enjoy the researching."
All prices quoted in this article include a ten percent buyer's premium.