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ALSO - SEND ALL THTREE SIZES FOR THE OTHER TWO SECTIIONS, Antiqwues at The Armory and TAAS-American show

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ALSO – SEND ALL THTREE SIZES FOR THE OTHER TWO SECTIIONS, Antiqwues at The Armory and TAAS-American show

GIAMPIETRO AMERICAN ART & ANTIQUES, New Haven, Conn. – Carousel giraffe by Gustav Dentzel, carved and painted wood with glass eyes, Philadelphia, circa 1900. It measures 66 inches high, 58 inches long.

GIAMPIETRO AMERICAN ART & ANTIQUES, New Haven, Conn. – Female figure, relief carved marble, American, circa 1850, 8 ½ inches high, 4 ¾ inches wide, and 3 inches deep.

GIAMPIETRO AMERICAN ART & ANTIQUES, New Haven, Conn. – Wall plaque with squirrels by Oscxar Peterson, carved and painted wood, Cadillac, Michigan, circa 1930. This plaque measures 33 ½ inches high, 18 inches wide, and 1 1/8  inches deep.

GIAMPIETRO AMERICAN ART & ANTIQUES, New Haven, Conn. – Scrimshaw sewing basket of whalebone and whale ivory, Nantucket, Massachusetts, circa 1860, measuring 9 ½ inches high, 8 ½ inches wide.

JONATHAN SNELLENBURG, New York City – A unique American Federal inlaid mantel clock in mahogany, signed “Brian Blake Barker / New York,” circa 1790, measuring 22 ½ inches high. Barker was an English trained clock maker who worked nearly 20 years in New York City before returning to England. In 1787, the first year a New York City directory was published, he was listed as a watchmaker at No. 7 Queen (now Pearl) Street, adjacent to Hanover Square. This clock is the only known American example of the English, late Georgian form, today known as a “balloon” clock. It has been suggested that the waisted outline of contemporary Massachusetts shelf clock dials derive from the balloon case.

JONATHAN SNELLENBURG, New York City – Grande sonnerie striking, in which both the hours and the quarters are struck every quarter hour, is seldom encountered in English clocks.

SCHWARZ GALLERY, Philadelphia, Pa. – William Bruce Ellis Ranken (Scottish, 1881-1941), Water Lilies, 1910, oil on canvas, 34 by 46 ¼ inches, signed and dated at lower right (impressed in wet paint): “WBE Ranken/1910.” It was probably exhibited at the Royal Institute of Oil Painters, London (August 1910), no. 363.

SCHWARZ GALLERY, Philadelphia, Pa. – Ernest Lawson, N.A. (American, born Canada, 1873-1939), Twilight in Winter (Moret-sur-Loing), 1894, oil on canvas, 30 by 25 ¼ inches, signed and dated lower left: “E Lawson/94.” The provenance lists Mrs Robert M. Leslie, Philadelphia, and it was exhibited at the Pennsylvania Academy of the Fine Arts, Philadelphia, Sixty-Ninth Annual Exhibition (1899), as Twilight in Winter (no. 41).

SCHWARZ GALLERY, Philadelphia, Pa. – Claude-Marie Dubufe (French, 1790-1864), Portrait of a Boy, oil on canvas, 50 by 38 inches, signed lower right: “Dubufe.”

SCHWARZ GALLERY, Philadelphia, Pa. – Charles S. Humphreys (American, 1818-1880), Jersey Blue, oil on canvas, 22 by 30 inches. It is signed and inscribed at lower left: “Chas. S. Humphreys./Camden. N.J.” Humphreys./Camden. N.J.”. It is inscribed at lower center: “JERSEY BLUE”.

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