FOR 10/26Â Â Â Â Â Â Â Â Â Â Â
FOR 10/26Â Â Â Â Â Â Â Â Â Â Â
KATONAH MUSEUM TO OPEN âSHATTERING GLASSâ NOV. 11 w/1 cut
avv/gs set 10/17 #716153
KATONAH, N.Y. â âShattering Glass: New Perspectives,â opening on November 11, at the Katonah Museum of Art, will present contemporary glass by 22 artists, each of whom has chosen glass as their medium. The exhibit will be on view to February 24.
The exhibition is intended to shatter visitorâs expectations of glass: what it is, what it looks like, how it functions and its perceived limitations of scale, texture and malleability. Viewers will encounter works from a wide range of aesthetic sensibilities. In presenting âShattering Glassâ the museum is inviting visitors of all ages to explore contemporary art from the perspective of a single medium. âGrasping what inspires artists can be challenging at timesâ says Ellen Keiter, co-curator of the exhibition and association curator of exhibitions at the Katonah Museum.
âBy focusing on a material with which we all have an immediate, everyday familiarity, this exhibition facilitates a comfortable entree into the world of contemporary art. Simultaneously it transports viewers to marvelous fantasy realms of pure color, dazzling reflection, inexplicable arrangements, seductive surfaces and amazing proportions that envelop the senses and engage the mind,â she said.
The diversity of expressions and techniques employed by the artists in âShattering Glassâ poses a challenge to the traditional perceptions of glass as a craft medium. âOver the past 40 years, glass has been catapulted from the decorative arts shelf to the front lines of art making â sharing the spotlight with established discipline such as painting, sculpture and photography,â says Neil Watson, co-curator of âShattering Glassâ and Katonah Museum executive director. âFor this exhibition, our core curatorial charge was to present artwork that would alter peopleâs perceptions about the material of glass and its artistic potential. With that idea firmly in hand, we cast our net wide and were rewarded with an abundance of startling, innovative work from which to choose,â he said.
Many of the artists in âShattering Glassâ work exclusively in the medium while others explore it for the first time. Each artist has approached the ancient material from a novel vantage point, employing techniques of stained, cast, cut, sandblasted, etched, slumped and blown glass as well as found, crystal, neon, mosaic and mirrored glass.
Several of the works are site-specific, created to respond to, and interact with, the museumâs architecture. They include Arlene Shechetâs âOut of the Blue,â an installation of cast crystal rope on two opposing walls in the museumâs atrium, and Bill FitzGibbonsâs âKatonah Lights,â an installation of colored light in the museumâs two west windows.
Much of the work is inspired by the natural world, including William Morrisâs âTrophies,â a series of blown-glass skulls representing horned mammals such as elk and antelope, and Mark Zirpelâs image of a giant magnolia leaf sandblasted on a beveled sheet of plate glass. The human body inspired Karen LaMonteâs monumental cast glass dresses, as well as Angelo Filomenoâs âCold,â a life-sized human skeleton blown and constructed in opaque black glass.
The museum is on Route 22 at Jay Street. For information, www.katonahmuseum.org or 914-232-9555.
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