Date: Fri 10-Sep-1999
Date: Fri 10-Sep-1999
Publication: Bee
Author: MARYG
Quick Words:
Ives-Players-Stern-Pawlikowsky
Full Text:
THEATER REVIEW: Light, Short Ives In Newtown
By Julie Stern
Last year the Town Players of Newtown put on a very funny production of a
collection of skits by David Ives called All in the Timing. Now utilizing a
rotating cast of eight actors and three directors, the company is presenting a
sequel to that show called Mere Mortals -- six comic one-act plays.
What comes across the first time as startling and original is not always as
effective when you see it again under a new title. Parts of the new production
seem a bit like a collection of out-takes from a movie with an improvisational
script; the bits that were almost good enough to use the first time but didn't
make the cut have been recycled here for laughs.
On the other hand, two of the six segments were genuinely inventive and funny.
"Mere Mortals," the title segment of the collection, explores the
psycho-philosophical dynamics of three ironworkers taking their lunch break on
a girder, fifty floors above the street.
Charlie (well played by Rob Pawlikowski) confesses to his amazed companions
that he is the long lost kidnapped son of Charles Lindbergh, to which Frank
(Manuel Browne) counters with the news that he himself is heir to the Russian
throne, the son of Czar Nicholas. Frank explains that while the world believed
he was murdered along with the rest of his family, he was actually saved
through the machinations of a loyal servant. The impact of these twin
revelations on the third hard hat, Joe (Ron Malyszka), makes for some good
comic tension and a most surprising ending.
"Time Flies" follows a romantic interlude in the life of two young may flies,
May and Horace, who meet, fall in love, and go back to her pad to watch a
David Attenborough Nature program on TV, only to discover to their horror that
the life span of "the lowly may fly" is a mere 24 hours. Christine Veltri
plays the part of May with wistful longing, while Mr Browne in this segment
has Horace alternating between manly swagger and cowering terror at the
prospect of his fate. Rob Pawlikowski makes such mincemeat of Mr Attenborough
that the nature programs on TV will never be taken seriously again.
Most of the other playlets focus on the drollery of conversation between the
sexes, as interpreted by Mr Malyszka along with Pam Sweat and Doug Miller. The
best of these was "English Made Simple," a running translation of the
underlying meaning behind cocktail party small talk.
"Foreplay: Or the Art of the Fugue" explores the attempt to use miniature golf
as a seduction ploy. Unfortunately, as the would-be Lothario gets older, he
doesn't get better (though the women he escorts get wiser.)
"Degas, C'est Moi" deals with a man who decides to become Degas for a day, and
how others react to him. "Dr. Fritz: Or, The Forces of Light" has Robert
Jurgens as a man with a stomach ache in a foreign country, dealing with Joanne
Stanley (who was quite funny in "Foreplay") as a woman who decides to be a
doctor. Hopefully that will never happen to any of the audience on their
vacations.
All six of the playlets are light, and short, which is good.
Auditions With
Town Players