Date: Fri 03-Oct-1997
Date: Fri 03-Oct-1997
Publication: Bee
Author: SHANNO
Quick Words:
Sprung-bluegrass-banjo
Full Text:
(feature on musician Roger Sprung, 10/3/97)
Music Of The American Heritage, At Home In Newtown
(with cuts)
BY SHANNON HICKS
Live music will return to Sharon's Coffee & Tea this weekend when Roger
Sprung, Hal Wylie and some of their friends will present an evening of folk,
Irish and bluegrass music on Saturday night.
Roger Sprung, a Newtown resident, has been performing on the banjo since 1947.
That year, when Roger was 17, his brother brought him to one of the Sunday
folk music jam sessions held at Greenwich Village's Washington Square in New
York. In different parts of the park, small clusters of acoustic musicians
were playing a variety of styles.
Roger, a die-hard boogie-woogie piano student at that point, fell in love with
the banjo that day. Inspired by the 5-string playing of legends like Tom
Paley, Pete Seeger and Billy Faier, the teenager gave up his first love and
began learning the banjo.
"I saw those people playing and said `That's for me!'" Roger related recently,
50 years and nearly an equal number of albums later. "Besides, it's easier to
carry a banjo around than a piano.
"I'm knee deep in this music now," he said. Not to mention knee deep in
trophies. In a studio/workspace in the Newtown home he shares with his wife
and youngest daughter, Roger is surrounded by trophies and ribbons by the
armload. There aren't too many places in the downstairs rooms that don't hold
an award of one form or another, including trophies naming Roger the World
Champion 5-String Banjo Player, a title he has won repeatedly.
Roger's name is probably as well known in the bluegrass world as Earl Scruggs.
He has performed in situations as diverse as on stage at Carnegie Hall to a
network television broadcast of The Dean Martin Show . He has toured with Kay
Starr, whom Roger affectionately calls "a big wheel," Josh White, Arlo Guthrie
and Pete Seeger, all revered in the music world. And there are the albums: 46
of them, on labels ranging from Stinson and Electra to Folkways and Roger's
own, Showcase, situated in New York City.
Bluegrass is a derivative of country music. The music relies, says The New
York Public Library Performing Arts Desk Reference , exclusively on
traditional instrumentation and musical styles. The bluegrass style was forged
by the banjo player Earl Scruggs. Roger Sprung says he taught himself how to
play by listening to 78 rpm recordings of Scruggs.
Scruggs was a member of Bill Monroe's Blue Grass Boys, a popular Grand Ol'
Opry act of the late 1940s/early 1950s. Scruggs developed a style of
right-handed, three-fingered banjo picking where he could play passages at
great speed and complexity.
Today's bluegrass bands typically include four to seven members playing
acoustic instruments. The musicians, playing violin, mandolin, guitar, string
bass and banjo, trade solos as effortlessly as jazz players are known to.
Roger Sprung plays what is called "mountain" music. These are songs that
literally came out of the mountains in the southern regions of the
Appalachians. During the 1950s, Roger began yearly trips to this region,
collecting and swapping songs and instruments with the musicians he
encountered.
Roger has even written a few songs of his own for the banjo, but says he
prefers to perform the songs that have been etched in stone by others. These
mountain-folk songs, along with some Irish folk music and English selections,
are what Roger tends to select when performing.
"I like these kinds of songs because they're part of the American heritage,"
he explained. "We play the Bottom 40 and up - the songs people usually don't
get to hear."
Over the past 35 years, Roger has been a leading architect of many of the
trends that are now commonplace among contemporary bluegrass musicians. He is
credited with creating "progressive bluegrass": matching the bluegrass banjo
playing style with non-related material, resulting in a very distinctive
sound. Progressive also incorporates traditional bluegrass, where songs are
performed with guitar, bass, mandolin and/or fiddle accompaniment.
Roger describes progressive bluegrass as going "out of the main line of
bluegrass tunes. You use horn pipes, reels, contra dances, pop tunes...
anything! That, to me, is progressing."
Thanks to this blurring of the lines, Roger's performances can cover
everything from "Jingle Bells" to "Puff the Magic Dragon," "Greensleeves" to
"It's A Small World."
Roger's partner is Hal Wylie, who lives in the Bronx. The two have been
performing together for about 35 years. Hal plays the guitar and does most of
the singing ("Boy does he sing!" says Roger) when playing out. The two perform
as a duo, or with any number of the five musicians who make up the band The
Progressive Bluegrassers. Along with Roger and Hal, the Bluegrassers are Bud
Morrisroe, fiddle; Drew Smith, autoharp; Manny Krevat, mandolin; Danny
Holland, lead mandolin and guitar; and Ethan Kende, bass. Holland and Kende
are planning on being in Newtown Friday night when Roger and Hal perform at
Sharon's Coffee & Tea.
Because they have been playing together for 3« decades, there isn't a need for
a lot of rehearsing before shows for Roger and Hal. Rehearsal takes place,
Roger said last week, "about an hour before we go on."
When he isn't performing or competing - Roger, Hal and the Bluegrassers have
played everything from concerts and festivals to private parties, children's
shows and conventions, and Roger has had his music recorded for a boatload of
commercials - Roger is concentrating these days on "teaching, buying, selling
and playing."
Past students have included Chad Mitchell, John Stewart of The Kingston Trio,
and Erik Darling (The Rooftop Singers).
Roger also spends a lot of his Sundays at The Elephant's Trunk, a weekly flea
market set up on Route 7 just over the New Milford border, where he sells
music and banjos. A lot of friends will stop in on any given Sunday to sit
down and start playing music. With a banjo always close at hand, Roger
welcomes these opportunities.
"We enjoy this, and we haven't been kicked out for making too much noise yet,"
he laughs.
If his name sounds familiar and the face rings a bell to Newtown residents, it
could be that they ran across Roger and Hal and any assemblage of The
Progressive Bluegrassers during any of the performances at Pizza Villa for 13
years. The shows had to stop last year when the Sandy Hook restaurant began
renovations, which are continuing, but Roger is hoping to return when the
restaurant reopens.
"We always played to full houses down there. It was always a lot of fun," he
said. After the Pizza Villa gig was put on hold, Roger and Hal played for
about six months at My Place Pizzeria, in the center of town. But now My Place
is about to start moving its business into a different building, so that
pursuit has also been put on hold.
In about a month, Roger will be featured at the annual NOMAD Festival, a
celebration of Connecticut's culture in music, arts and dance. The festival is
a three-day event held at Newtown High School. It includes workshops, hands-on
demonstrations and performances, all open to the public and suitable for every
age.
Roger was in last year's festival, and is looking forward to returning to this
year's event. He will have a two-hour jam session from 9 to 11 am on the
Saturday of the fall event in one of the high school's classrooms.
"I asked for two hours this year," he said. "One hour was too short last time.
And I love to jam! It's more fun when everyone plays together."
People familiar with Roger, Hal and The Progressive Bluegrassers know that
audience members are more than welcome to bring along their own instruments
and join in during shows. This warm, familiar atmosphere is the exclamation
mark of most bluegrass performances. Roger expects to see a number of friends
doing just that when he starts playing at Sharon's this weekend.
"People come with their instruments and they play and they pick, and people
have a good time.
"Playing like this, it's not a concert, it's a party," Roger promises. "It's a
lot of good music, and a lot of fun."
The music begins Saturday, October 4, at 8 pm, at Sharon's Coffee & Tea, 49
Church Hill Road in Newtown. The show will run until midnight. There will be a
cover charge of $3 per person. Refreshments will be sold all night. For
additional information, contact Roger Sprung at 426-5243 or Sharon's, at
426-3770.