Date: Fri 19-Mar-1999
Date: Fri 19-Mar-1999
Publication: Ant
Author: DONNAG
Quick Words:
Pompador
Full Text:
Madame de Pompadour
with 3 cuts
NEW YORK CITY -- On view for the first time in the United States, the
celebrated, full length portrait of "Madame de Pompadour" by the French artist
Francois-Hubert Drouais (1727-1775) will be presented through April 25 at The
Frick Collection.
Regarded as one of the greatest and most popular treasures at the National
Gallery in London, the portrait was the last one painted of the Marquise de
Pompadour, the influential mistress of French King Louis XV. The next in a
critically acclaimed series of single loan exhibition (following the special
display of a landscape by Claude Monet this summer), this presentation
features several complementary paintings by Jean-Baptiste-Simeon Chardin
(1699-1779), Jean-Baptiste Greuze (1725-1805), and Jean-Marc Nattier
(1685-1766) from the Frick's own holdings. Decorative artworks on view in
conjunction with the portrait include furniture and porcelain of noted French
manufacture.
Further, the presentation of the Drouais portrait will have as a backdrop, in
a loose sense, other French masterpieces of the period that are installed in
galleries throughout the mansion, such as panels by Jean-Honore Fragonard
(1732-1806) and Francois Boucher (1703-1770).
Indeed, with such celebrated works in its holdings, many in connection with
her life and interests, The Frick Collection has long felt the presence of
Madame de Pompadour, has organized this presentation and has authored a
color-illustrated educational brochure.
The painting by Drouais will hang in East Gallery, flanked by two works by
Chardin from "Still Life with Plums," circa 1730 (the only still life at the
Frick), and "Lady with a Bird-Organ," circa 1751. In same room, visitors will
find the whimsical painting by Greuze, "The Wool Winder."
Of particular note is the portrait by Nattier, "Elizabeth, Countess of
Warwick," which will hang nearby and has not been on public view in the
Frick's galleries since 1980.
Beneath the Drouais portrait will be displayed a set of three porcelain
"Pots-Pourris Myrte" with Flemish scenes and landscapes, with a pink ground
and blue and gold overlay. These three porcelain vases were made circa 1762 at
the royal porcelain factory at Sevres and are normally on view on the far side
of the Boucher Room and have seldom been seen so close-up by the public. They
are included in this presentation as evidence of Madame de Pompadour's (and
Louis XV's) great enthusiasm for Sevres porcelain. With her encouragement,
Louis XV assumed financial responsibility for the luxury manufactory in 1759.
On the north wall, across from the portrait "Madame de Pompadour," will hang
The Frick Collection's own Drouais, "The Comte and Chevalier de Choiseul as
Savoyards," signed and dated 1758. The public will also have a closer view of
this painting than is customary. It usually hangs to the left of the grand
staircase that leads to the former private quarters of the Frick family and is
one of the few paintings that are ordinarily located behind stanchions.
Jeanne-Antoinette Poisson entered the world of the French court as Madame de
Pompadour in 1745. From the time she became the mistress of Louis XV, she
wielded considerable influence at Versailles from politics to the arts. The
dedicating Tancrede to her, Voltaire wrote of Madame de Pompadour, "I venture
to thank you publicly for all you have done to help a large number of writers,
artists, and other categories of deserving people."
The portrait was painted in 1764, the last year of her life. She is shown as a
cultivated and industrious woman, working at an embroidery frame, with her dog
at her side. She is surrounded by objects that reflect her taste as a great
patron of the arts and letters -- shelves of books, a mandolin, furniture in
the latest fashion, and a folio of drawings. Acquired by London's National
Gallery in 1977, it was the first French Eighteenth Century female portrait of
this scale to enter the collection.
On Wednesday, March 24 at 5:30 pm, Humphrey Wine, curator of Seventeenth and
Eighteenth Century paintings at the National Gallery, London will discuss
"Madame de Pompadour -- Images of a Mistress." In his slide lecture, Dr Wine
will offer answers to several questions: Who was Madame de Pompadour? What did
she look like? How was she depicted by Drouais and other artists? There is no
charge for the lecture and seating is open.
For information, 212/288-0700. The collection is at 1 East 70th Street, near
Fifth Avenue. The library is around the corner at 10 East 71st Street. Museum
hours are 10 am to 6 pm, Tuesdays through Saturdays, and 1 to 6 pm, Sundays.
Children under 10 are not admitted. Admission is $7.