Date: Fri 09-Jul-1999
Date: Fri 09-Jul-1999
Publication: Ant
Author: JUDIR
Quick Words:
Speed-Burne-Jones-acquisitions
Full Text:
The Speed Art Museum Unveils Two Burne-Jones Masterpieces
LOUISVILLE, KY. -- The Speed Art Museum is hosting "The Ties That Bind: The
Plight of Women in Victorian England," a small exhibition that centers on two
paintings by Sir Edward Burne-Jones, England's premiere painter of the late
Nineteenth Century. The Burne-Jones works are currently on loan to the Speed
Art Museum from Hanover College in Indiana.
Dr John Franklin Martin, guest curator of the exhibition, selected several
additional works for the exhibition from other regional collections to
illustrate the theme of the challenges faced by women during the Victorian
era. All the works are British and date from the Victorian period (1837-1901).
The small sampling of art reflects the Victorians' two major ways of depicting
women: as figures of servitude and as objects of beauty.
The two Edward Burne-Jones paintings are part of a seven-scene series from
"The Legend of St. George and the Dragon," commissioned for The Hill, a
Victorian house in Surrey, England. The owner of The Hill sold the "St George"
series when he moved in 1984. Burne-Jones subsequently regained possession of
the paintings in 1897 and sent them to the International Art Exhibition in
Munich, where they received a Gold Medal.
The series was dispersed soon after Burne-Jones's death, and these two works
were eventually purchased by William Henry Donner. Donner, an early steel
magnate who had attended Hanover College in the 1880s, gave the paintings as
gifts to the students of the college in 1939. Dr John Martin first saw the
paintings when he came to Hanover in 1994 and recognized them as
Burne-Jones's.
Burne-Jones is considered by most historians to be one of England's finest
artists of the last quarter of the Nineteenth Century. As a youth he was a
member of the Pre-Raphaelites, artists who used a naturalistic style to
promote moralistic themes. The "St George" series is among Burne-Jones's first
works in oil, his earlier creations consisting largely of watercolor paintings
and pen-and-ink drawings. The series is significant historically because it
shows Burne-Jones's departure from the medievalism characteristic of the
Pre-Raphaelite style.
Other pieces featured in the exhibition include two works by another English
artist, Simeon Solomon (1840-1905). One of Solomon's works is a watercolor and
oil painting that illustrates the Pre-Raphaelites' concern for beauty and
romantic love. The second, a graphite and crayon on paper dated ten years
later, reveals Burne-Jones's influence on Solomon. Another work on view from
the period is a portrait of "Lady Jane Beaufert," wife of James I, King of
Scotland (1859), by the Scottish oil painter James Archer. Three paintings by
English artists from the Speed's permanent collection are highlighted in the
exhibition, including two works by James Jacques Joseph Tissot and a painting
by Richard Redgrave.
The museum is located at 2035 South Third Street. Gallery hours are Tuesday,
Wednesday and Friday, 10:30 am to 4 pm; Thursday, 10:30 am to 8 pm; Saturday,
10:30 am to 5 pm; and Sunday, noon to 5 pm. For more information, call
502/634-2700.